Underwych

Underwych is a community arts project supported by Vale Royal BC, Cheshire CC, DAN, the Lion Salt Works Trust, Action Weaver Valley and the National Lottery through the Heritage Lottery Fund. This blog is a space open to all to share memories of subsidence in Vale Royal and express ideas inspired by subsidence. The 'Underwych' community play will be performed at the Lion Salt Works in Marston near Northwich, on 12-13-14th July at 7.30pm - matinee on 14th July at 2.30pm.

Sunday, 15 July 2007

Many congrats to everyone!

THE SUN SHONE!

In more ways than one. What a fantastic afternoon of story-telling, song, puppetry and acrobatics. Who would have thought that so much fun - informative fun even - could be created from the subject of subsidence. And who can forget the artistry of 'raising Northwich'...



The cast did brilliantly under tough conditions given our Summer of rain. There were some fabulous individual performances but the sense of teamwork was what struck me most.

Everyone pulled together to give us the show and one felt that a similar spirit had built all the puppets and scenery. People around me commented on how plastic barrels had been turned into drums, how bottles had been used to make faces and the mane on the donkey puppet was yet another inspirational touch which raised a smile.

It was fascinating to see how different people's contributions had been woven into the story: Liz's character Emma, her brine shrimps, Lisa's story of Anderton, bits of my visit to Winsford salt mine, Heather's intervention here which meant that Emma landed up in Australia briefly (!) and Diane's poem which was turned into a wonderful chorale finale.
But all the research, writing and the work with schools over the Winter was only the beginning of Underwych... since then others have taken over the reins and created the amazing production we saw this week. Although of course, Robert and Mathilde have seen the whole process from beginning to end and are due for a well-deserved rest.
We are very lucky in Northwich to have such projects; long may they continue and congrats again to all concerned!
All the best,
Caroline

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Thursday, 12 July 2007

Underwych is on NOW!


The community play 'Underwych' will be performed at the Lion Salt Works in Marston near Northwich on

Thursday 12 July, 7.30pm

Friday 13 July, 7.30pm

Saturday 14 July, 2.30pm and

Saturday 14 July, 7.30pm

Tickets are priced £6 (£3 concession) and are available from DAN on 01606 41597.

Robert Meadows, lead artist, has incorporated the stories conceived by local writers in a play script. In a take on Alice in Wonderland, ‘Underwych’ will follow the journey of a young girl into a mysterious underground town. The outdoor promenade show will involve local community actors and will include circus acts, large-scale puppets and a lot of humour.

This is an outdoor promenade performance so please come prepared with raincoats or sun lotion!

For a sneak preview, click on the title of this posting to be taken to youtube.

Monday, 2 July 2007

Underwych Street Theatre





The Underwych Company will be performing in the streets of Northwich on Saturday 7th July. Find us at Adelaide Gardens between 11.00am and 1.00pm for a fantastic display of acting and large-scale puppetry.


Monday, 25 June 2007

'A Body in the Basement'

UNDERWYCH

presents

‘A Body in the Basement’

and other works by Vale Royal writers
inspired by subsidence

A reading by professional actors and
the writers themselves

Northwich Library
Saturday 30th June 2007
10.00am - 1.00pm
(free admission)

Thursday, 24 May 2007

Rehearsal Schedule


Hello everyone!
We had our first rehearsal on Sunday and were blessed with both good weather and enthusiastic performers. What more could one want? Well, for you to join us at our next rehearsal, of course!
Here is the rehearsal schedule - all rehearsals take place at the Lion Salt Works in Marston so you can get familiar with the setting of the play. (They are at 19:00 in the evenings and at 14:00 on Sundays and last approximately 2 1/2 hours.)

Thursday 24 May 2007

Wednesday 30 May 2007
Thursday 31 May 2007

Sunday 3 June 2007
Monday 4 June 2007
Thursday 7 June 2007

Sunday 10 June 2007
Monday 11 June 2007
Thursday 14 June 2007

Monday 18 June 2007
Thursday 21 June 2007

Sunday 24 June 2007
Monday 25 June 2007
Thursday 28 June 2007

Sunday 1 July 2007: Performance at Marshall's Arms

Monday 2 July 2007
Thursday 5 July 2007

Saturday 7 July 2007: Performance of Extracts in Northwich

Sunday 8 July 2007
Tuesday 10 July 2007 – technical rehearsal
Wednesday 11 July 2007 – dress rehearsal

Please let us know if you would like to take part but can’t make any of these dates. We need more performers so it's not too late for you to join the Underwych company.
Best wishes
Mathilde

Monday, 14 May 2007

First rehearsal

First of all, many thanks to those of you have attended the auditions that have taken place over the last few weeks.

As I hope I made clear at the auditions, Underwych will involve all those who have expressed an interest in performing so we look forward to seeing you Sunday 20th May at 2.00 pm at the Lion Salt Works in Marston for the first rehearsal.

Even if you have not made the audition-workshop, it's still be possible to come along on Sunday and be part of the company.

Allocation of Roles

This will take place on Sunday. You will realise that there are many roles in the script and all involved will find themselves 'on stage' for most of the play. There will be specialist support for those members of the company who would like to learn skills such as juggling, puppetry, singing and dancing.

Rehearsal Schedule

We will be working on Underwych for six weeks from late May and early July. Anyone who has not got a schedule, please let us know. The directors will need to be made aware if there are times when you are unavailable.

Production Team

There is a team of directors, property makers and technical stage management who will be working with you. They will be introduced to you on Sunday afternoon. Of course, there is no reason why any actor can't also be involved in some of the making that will need to be done for the production. Just let us know on Sunday if you are interested.

Confirming Your Attendance

Please confirm your attendance with Mathilde via email: underwych@hotmail.co.uk so she can send you the final version of the script.

Really looking forward to seeing you next Sunday.

Regards

Robert

Next production team meeting

Hello,
we have a new date in our schedule for the next production team meeting, and it is Tuesday 15th May at 7.00pm at the Lion Salt Works in Marston.
The last meeting was well attended. We now have a team of directors, a technical stage manager and a designer, as well as a group of crafty people to work on set design, prop making, costume, sound effects, etc.
I hope you can join us.
Mathilde

Friday, 4 May 2007

Production in Progress

The Underwych auditions were well attended and we now have additional members. Robert is in the process of casting the parts for the revised script.
Next stage is our next production team on Wednesday 9/5 at 19:00 at the Lion Salt Works.
Robert’s script has got some fabulous ideas in it: wonky townscape, glittery mine décor, giant puppets and masks, Victoriana costumes, chandeliers, etc.
So you are interested in set design, prop making, costume making, lighting, directing, or any other aspect of theatre production, then please come and join us. And don't forget to bring a friend!
Til then
Mathilde

Thursday, 19 April 2007

Auditions coming up!

Hello everyone,











I realise I have not contributed to this blog in ages! My excuse is we have been very busy.

After our collaborative script writing workshop in January, we started organising art & subsidence workshops across 5 Vale Royal schools (workshop in Moulton pictured).

Now we can move on to the production of the Underwych play.


The launch of the Underwych company took place on 31/1. Since then, we've had a couple of script workshops and our first production team meeting at the Lion Salt Works in Marston.

The auditions are now scheduled for Sunday 22nd April, 2.00pm, at the Leisure Centre at Rudheath High School (map through link). The auditions wll take the form of a workshop, lead by Robert Meadows, lead artist. You don't need to learn anything to take part, just turn up and bring a friend along!

If you'd like to read the script beforehand, just drop me an e-mail.

If you are interested in the production side, such as prop making, set design or directing, please come to the production team's next meeting on Wednesday 25th April, 7.00pm, at the Lion Salt Works in Marston.

All the best

Mathilde



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Monday, 22 January 2007

Visiting the De-Icing Business, Winsford Rock Salt Mine, October 2006


With special thanks to the De-Icing Business for granting members of the Underwych Project unusual permission to visit the mine in order to research its history and gain first-hand experience of modern salt-mining. I am also grateful to our fantastic guide Zoe Ellis and my writing companion Liz who kindly offered her photos for the Blog.

Please note that the De-Icing Business at Winsford Rock Salt Mine is not open to the public for visits and that this article is published with the agreement of all concerned.

“We’ll go down at No 3 shaft then it’s a straight mile underground to No 4, but two miles overground getting past Morrisons.”

Looking at the grid of the mine mapped onto the countryside, I could see that the familiar drive from Northwich through Bostock to Crewe would never be quite the same.

“We use the room and pillar method of mining which isn’t found in coal mines. You’d never leave a pillar of coal because of demand.”

Sepia faces stared at us from photographs of miners being lowered in a wooden tub. Thankfully, we were offered a modern lift. We put on blue overcoats, tried on different helmets for size and then steadied ourselves to receive the weight of the Oxygen Self Rescuer belt. Being instructed in its use was a bit like getting ready for take off. It was hard to believe that men were working the mine long before aircraft.

“We’ll go to the cinema in the Old Cavity 1844 and then drive right up to the faceline.”

Wooden tubs and shafts, black powder explosives, picks and shovels, iron tramways, tallow candles… history flickered on the screen 500ft below Winsford. We had picked our way from the lift to the rows of plastic chairs across a scoured floor which reminded us of a wave-rucked beach. Our boots had lifted over the man-made pattern; our lamps had lifted to reveal the same markings on the roof. Scraping the roof clean. We would remember miners’ preoccupation with scraping the roof clean.

We felt the weight of our Rescuer packs as we climbed onto the back of the truck before it rolled across the uneven floor of the Old Cavity towards the smooth salt-crete roads of the modern tunnels. Salt pillars rose like single cooling towers at intervals in the dark.

“There are larger pillars under the canal and only two tunnels under the railway line. We try and keep the mine at a similar depth so we don’t need to sink the shafts lower. That’s the beauty of this bed. It goes all the way to Droitwich.”

I remembered the geological maps and aerial photographs we had studied in the office somewhere overhead… rock salt, massive marl bands, drift, middle Keuper marl… Stanthorne, Croxton, Meadowbank, Bostock, the River Weaver and the Dane, the Trent and Mersey Canal, the West Coast Mainline railway…

“We’re in Bostock 5 panel. A panel is a worked out area.”

I found myself turning my lamp up toward the – scraped clean – ceiling. If we tried to burrow up to the surface, where would we find ourselves… surprising a cow, tangled in tree roots, bubbling up in a village pond or bumping our heads on the tarmac of a supermarket car park? At least we weren’t under the full weight of the North Sea which sits above much of the other major rock salt mine in the UK.

“Their geological events are up and down. We’re bound in by the Winsford Fault on the West and the King St fault on the East but our geological events are very mild. The Roman road runs alongside the King St fault so precisely it beggars the question: did they know the fault was there?”

“Of course, the Romans knew all about the naturally occurring wild brine layers. The layers may only be few centimetres thick but they cover a huge area. When they are at saturation point, they are buoyant like the Dead Sea. If you remove that layer or alter the table, you get problems. But wild brine pumping is illegal now.”

“There is no subsidence associated with this mine. Flashes are from white salt extraction; brine extraction.”

We stopped by FAB, the Fresh Air Base.

“Air is very lazy. We want it to travel round the mine for 10 ½ hours.”

Air cannot be left to its own devices, it seems. Instead, it is like an unruly flock of sheep that has to be shepherded round the mine. Curtains are shut like gates and the air is driven through salt tunnels for 4-5 miles.

“In Summer, it is very moist but running it through salt tunnels dries and cools it – a free dehumidifier.”

Double boomhead drills, circular chainsaws, tungsten tips, steel picks…

“Aluminium doesn’t last a minute with the salt...”

We got out of the truck and followed the green laser beam guiding us down a tunnel wide as a main road. The beam reminded me of the line of string that someone might set to plant a row of beans, but I wondered what kind of giant was shaking the ground ahead and blasting us with noise as we moved forward. A beast that had no need of the huge waist-high tube that ran alongside us taking clean air into its lair…

We began to avoid shouting conversation at each other to avoid gulping clouds of salty dust. The monster lay like a long insect beating multiple front legs against a wall.

“We go for a 4 metre cut…”

Rock salt collapsed repeatedly onto revolving plates which channelled the debris through the beast’s body and onto the conveyor belt. Two masked men ambled alongside, one playing a small machine like a Game Boy. Yet I had the feeling that the monster had to be placated as it raged against the rock; that the console only provided a slim tether.

Watching the roof being scraped clean reminded me that miners see rock as the unpredictable beast, however. But as soon as the rock is tamed, it is also herded through the tunnels.

“The British Standard for rock salt is based on Winsford. The mine closed in 1892 due to competition downstream but re-opened in the 1930s after flooding in the Northwich mines. Business has grown since then in response to gritting and the growth of the highways. 98% for roads, 2% cattle lick. We crush it to less than 6 mm to help protect windscreens.”

We followed the green laser thread back to the truck and drove on to Deep Store. The Crown Jewels are rumoured to have been hidden in the mine during World War II. Nowadays the fact that the mine has good security, no sunlight, acts as a free natural dehumidifier and temperature regulator, and that not even spiders bother to make webs down there has led to the storage of masses of archive material. One ‘room’ can hold 90,000 boxes. What was once a sea, now holds a sea of paper.

I came up with the taste of the seaside in my mouth. Rock salt mixed with the ancient marl dust that blew here from Triassic deserts and settled on the salt marshes which became this part of Cheshire. Marl dust that rain leeches out to form a crust on the huge stockpiles in the yard at the De-Icing Business.

“Salt is self-thatching here: dark on the outside and pink on the inside. When the weather’s dry, the salt is as pink as the day it came up.”

Pink as the lump that went home in my pocket.

Caroline Hawkridge
December 2006

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Monday, 8 January 2007

Lime and Brine in Anderton Nature Park, November 2006

With thanks to Cheshire County Council’s Countryside Management Service, Dave James and his dog Blue (our amiable and tail-wagging hosts) and my writing companion Lisa.

Lisa feels the tactile wooden map of Anderton Nature Park, her cold fingers listening to the corrugations which trace Witton Brook and the River Weaver Navigation. She finds their confluence. The long ridge of the Trent and Mersey Canal is chiselled above.

“Barges laden with Wedgwood pottery arrived from Staffordshire on the canal and used the Anderton Boat Lift to reach the River Weaver Navigation which flows out to the Mersey.”

I realise that what none of us can see clearly is the history, the numerous previous landscapes of this area. But we have come to feel them.

“Anderton Nature Park is about a hundred acres. Two-thirds of it was Witton Flashes, one of the huge areas of ground which collapsed.”

We turn to Dave's 1910 map where Witton Flashes sprawl like spilt ink. As I try to imagine fractured lanes and sunken fields, my sense of place begins to blur.

“There were several known rock salt mines under the land that fell into the Flashes, but bastard brine pumping was also going on. Any family could pump wild brine. The other third of the Park was covered by the known salt works. White salt was boiled out of brine in huge iron salt pans…”

Dave guides Lisa’s hand to three round ponds that used to store the pumped brine but which now provide coarse fishing.

“Today Witton Flashes have become Haydn’s Pool, Marshall’s Wood and Witton Mill Meadows.”

Dave moves her fingers to follow raised areas of relief. I remember the trees of green fuzz that came with my brother’s railway set.

“But the woods are recent. In the 1930s and ‘40s the Flashes were turned into huge beds of limewaste.”

Salt sheds, tracks and a gantry bridge across the Weaver stand out against a grainy lagoon of pale industrial limewaste in the old aerial photograph. It is 1939 and there's not a tree in sight.

“They built bund walls using rubble, ash and cinder and then slowly filled the beds with alkaline lime-rich waste from the salt-based soda ash industry on the opposite bank. Later, parts of the area were capped with clay and Nature took hold. Let’s go and have a look.”

Dave’s dog Blue leads the way, imprinting his own tactile map in a muddy spot by the path. Anderton Nature Park is a happy place for dogs. They bundle out of cars, unfolding wagging tails, as owners adjust leads, hats and gloves before lengthening their stride.

Red hawthorn berries and clusters of scarlet rowan fire the afternoon sky like hot coals beneath salt pans as we talk of brine. We reach the three storage ponds, now pools fished for perch, roach, rudd. Nearby, we find a low wall and a few huge sandstone blocks: all that remains of the salt sheds and steam pump.

“Coal was unloaded straight into the fires.”

Dave walks us through grassland, our strides marking the surprising length of the shed foundations. The clamour of the pump and stink of smoke and ash have given way to birds in thickets of blackthorn. In the breeze, the undersides of silver poplar leaves flash like fish.

Heading for the woods, we pass meadows ready for Winter. Meadows hiding lime-loving fragrant orchids which are otherwise rare in the neutral or acid soils of Cheshire. Creeping willow has also crept here, and birdsfoot trefoil with its birdclaw seed pods. Come the Summer, blue butterflies and rare dingy skippers will fly above the trefoil's yellow pea-flowers.

“Beneath the clay cap is thirty feet of lime waste. Stand still and close your eyes, then feel through your feet while we jump up and down.”

Ah, yes.

“The lime bed is slightly liquid, like toothpaste, and therefore carries vibrations. Now we’ll close our eyes and you jump.”

I imagine my weight vaguely quaking a buried lake of caustic industrial limewaste.

As we enter the woods, braided trunks of silver birch shed a salty-white – or is it limey – light. We wind through the trees and out past stands of fluffy seed which breaks like ancient surf across the glade.

“Seeds of hemp agrimony.”

We turn down the steep ash banks of the bund past tall teasel and weld and walk alongside Witton Brook towards the brand new span of Carden’s Ferry Footbridge. Reedbeds shuttle in the wind, quiet without their nesting colonies of migrant warblers.

We reach the confluence that Lisa felt on the map a hour or so ago. The wide Witton Brook runs into the wider River Weaver Navigation. It is hard to imagine it all temporarily flowing backwards to flood the Flashes during a massive land-collapse well over a hundred years ago.

Downstream, Brunner Mond bends its back on the bank opposite the Boat Lift. The Weaver is no longer ploughed by steam packets and industrial barges and there are few pleasure boats on this wintery day.

As we head for the dragonfly pond below the bund, the air cracks with gunshot.

“The rifle range has been here for over 70 years…”

But it is the names of coastal plants that take root in my ear… sea spurrey, lesser sea-spurrey, sea mouse-ear, sea club-rush, wild celery. They live here in Anderton, miles from the ocean, but where salt seeps from the soil.

“Dragonflies thrive in this pond because the water is too salty for frogs, newts or fish.”

Calopteryx splendens, Lestes sponsa, Brachytron pretense, Aeshna grandis, Sympetrum sanguineum, Libellula quadrimaculata…

Some of the Latin names of the extraordinary range of damselflies, dragonflies, darters, hawkers and chasers at Anderton. Latin names that would surprise the Romans who exploited Condate’s brine springs; Romans who may well have known the armoured insects with their crystalline wings. Latin names that fly from the twenty-first century tongues of visiting entomologists.

Large Red, Common Blue, Azure, Emerald, Red-eyed or Blue-tailed Damselflies. Broad-bodied and Four-spotted Chasers.

Words that open their wings.

Brown, Southern and Migrant Hawkers. The Common Hawker that is rare here. Hairy Dragonfly, Black-tailed Skimmer.

Words like wind over water.

Ruddy, Common and Yellow-winged Darters, the Emperor Dragonfly and Banded Demoiselle.

Words that stitch the air with Summer.

Caroline Hawkridge, Vale Royal Writers' Group
Posted with the permission of all concerned.

PS I have just worked out how to add a link and realise that it has created one with the title of this post. How amazing! Try it :)

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Sunday, 7 January 2007

Crystallising out of the ether

Wow! All sorts of things are beginning to crystallise out of the ether on this Blog!

Welcome to Heather "down under"... I love the idea that Emma could fall all the way to Oz though I'd advise her not to mention the cricket when she gets there. Intriguing to think that if our salt beds had been just a bit nearer the surface and our weather was rather warmer that Northwich might have become known for land-speed records.

I also really enjoyed reading your poem, Diane. Very evocative and great play on words in the title. Its shape reminded me of a pillar of salt. Now there's another story.

Heather mentioned that she received a lump of salt to take home from the Salt Museum. We got one each too when we went down Winsford Salt Mine. Here's mine...



Yes, it worked. I've just learnt how to add a picture - and move it around :)



Isn't the rock salt beautiful?


All the best,
Caroline

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Emma in Australia

From sunny Queensland, Australia ....
My fantasy allows for Emma to find a way to visit Australia .... to Lake Eyre, Central Australia as this Lake is one of the largest salt pans in the world. Jack Brabham and his famous car "Bluebird" broke speed records racing on the salt pan, during the 1950's.

Maybe Emma gets lost in one of the caverns in Underwych and ends up 'down under'?
Maybe Emma has relatives in Australia, who were deported to Australia with the first fleet in 1778, for stealing a teaspoon of salt from the mistress of the house?
Maybe Emma visits the whole world and teaches us all the different styles of salt production and its uses?
Believe Emma may have family from Edinburgh too as I read there is salt produced there .... wonder where else her relatives reside?

I have relatives in Northwich and have visited many times, have been enthralled by the salt museum, (was given a rock of salt to bring home to show my grandson), subsidence evident in the town, the gritter trucks when the roads are icey. The gritter trucks took my fancy and I was able to clamber on one and learn how they work.

Happy travels Emma.

Heather ....... Queensland, Australia

Saturday, 6 January 2007

PASSING THE SALT

PASSING THE SALT

When you rush around Northwich on your daily grind
And the woes of the World are engrained on your mind
Take a moment or two to shake off all the worry
Just stop- look around you - don’t be in a hurry.

There’s more to the pavement beneath your feet
There are cavernous voids lurking under the street
There are buildings on jacks and bridges that float
And mysterious features of historical note

The salt of the earth has created this place
Historical facts that we need to embrace
We can soon lose the flavour if we choose to ignore
All the trouble and strife of what’s gone before.

The locals are seasoned with stories to tell
Like the salt on pack ponies along the canal
Of salt pans and pillars and long working hours
Did you know there’s a salt mine as deep as a Tower?

Whole families who’d toil on a rented salt pan
Laboriously breaking the rock salt by hand
From oldest to youngest they each played their part
From the tank to the pan, from the pan to the cart.

Victorian moralists were most un-impressed
By the men & the women so immodestly dressed
But the work was too hot and it didn’t desist
And the need to disrobe they just couldn’t resist.

Salts’ uses are many - it’s not just for your chips
It has medical value such as in saline drips
There’s fine salt for food and salt tablets for water
And rock salt for gritting the paths where we saunter.

So spare a few minutes to find out some more
Of the Heritage seeping from every salt-bore
Let’s not overlook the importance salt plays
It is so much a part of our every days

by Diane McCune

Friday, 5 January 2007

Visit of the Winsford Mine


I am sure Zoe wouldn't mind!

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